The History Of British Comedy English Literature Essay

Their humor is defined as unacceptable, subversive, even dangerous, when first presented to the world, and today they are classics.We are talking about stupid finds dead parrots, loggers, transvestites and mockery of everything.When the “Flying Circus” Monty Python goes to BBC TV in 1969, this was the beginning of an entirely new chapter in the history of British comedy.With the exception of Spike Milligan, then nobody is going into these areas.

The show began life as a “Flying Circus” Monty Python “in 1969, on behalf of the brave BBC, whose editors have the most pale of what exactly they will get.The team of six comedians (plus a significant presence of Carol Cleveland) created during the four seasons of a series of unforgettable images and cartoons stupid situations that remain forever in Product history of British showbusiness.The combination of absurd sketches, parody songs and the maniac animation is very original formula by which the “Monty Python” then enter unfamiliar areas of TV-comedy.

In the summer of 1969 five young English comedians (who wrote his own texts) and an American animator, trying to invent a title for a new comedy series on BBC.Among the proposals are “Owl Stretching Time”, “The Toad Elevating Moment”, “A Horse, A Spoon and a Basin”, and that which is suspended – “Flying Circus” Monty Python “.

Five Britons are John Cleese, Graham Chapman and Eric Idle, who first picked up the scene in Footlights Club at Cambridge University, and Michael Palin and Terry Jones, who met while studying at Oxford.All were authors of texts and performers in various TV shows in the 60’s, such as Do Not Adjust Your Set in 1968, where Palin, Idle and Jones meet with American animator Terry Gilliam.

The team formed in 1969, when the BBC ordered to Cleese and Chapman’s own show with sketches.Cleese kept good memories of working with Michael Palin and invited him to join.Palin did lead his partner Terry Jones, Aydar with Eric and Terry Gilliam.

As authors all agreed that it was time to get rid of shock finalist jokes that ended a comedy sketch in 1960’s.Graham Chapman recalls: “For years the funniest had to come to the finals and we had to do this by authors. The Producers looked pretty foolish if it did not happen because there was no way to prompt the audience to applaud … Well, we do notare worried about the audience, they would become accustomed. “

In March 1969, while the “Python” still plan their show in the revolutionary series of BBC “Q5” Spike Milligan sketches already tried without beginning or end.Milligan allow themselves to break the sketch to declare, “Interrupt this program to announce that it is officially interrupted BBC!”. Milligan also violate the “Fourth Wall” – an imaginary barrier between the characters and sketch from the television audience. Character canto interrupt the sketch in the middle and turn directly to the camera.

Terry Jones remembers how watching “Q5” and think: “How can we take advantage of the breakthrough that makes Milligan?. Then I thought for one animation style stream of consciousness” by Terry Gilliam called “Elephants”,which he seemed like the perfect visual style for the new show. It was Jones persuaded others to adopt free structure in the transition from one sketch to another, which is a registered trademark of the early “Python”.

Milligan encouraging example of “Python” to go even further in violation of rules adopted television.They were pioneers of so-called “cold opening” where the program can be started before the appearance of the title and I made a number of viewers – eg the launch of the footage in the middle of the show.In the manner of Milligan sketch could be interrupted in the middle of the entry of Chapman, dressed as a colonel, who declared that things had become “too silly”.

“Python” have different qualities as the authors of texts.Cleese and Chapman wrote a rich verbal comedy, often based on a series of words to describe different variants of a dead parrot.Jones and Palin were stronger in visual comedy with sketches, shot on location in the English countryside, they are also authors of some of the best-loved songs such as The Lumberjack Song.Idol specializes in short sentences and long speeches.

Cleese crude manners of an Englishman of the middle class make it ideal for the roles of authority figure with a bomb.Palin is a versatile actor who can play both rudimentary sales and manic Spanish Inquisitor.Chapman is especially good as a fool or a colonel father by the working class.All “pythons” and play a middle-aged ladies with faltsetni voices, but Jones and iAydal most impressive in these transformations.

The first broadcast series and won rave reviews from critics, and audiences who are growing with every passing episode.But for the third season Cleese feels that become repetitive.However, this is not the end of “Monty Python”.Group meets again with Cleese for a live performance in Drari Lane in 1974, then made three feature films: a parody of the story of King Arthur, 1974, “Monty Python and the Holy Grail” controversial religious epic of 1979″Life of Brian” and “The Meaning of Life by Monty Python” in 1983, where he returns to sketches from the television series format.And often play live issue albums and audio books.

“The Meaning of Life” is the last project in which all members of “Monty Python” participate together.In later years several times been suggested rumors of the collection in its original format, but after the death of Chapman in 1989 it is already impossible.